Honoring (And Smashing) Tradition in Texas

Finished piñatas line a wall of a living room in San Antonio. Photo by Michael Williamson/The Washington Post
SAN ANTONIO, Texas--On the list of recession-proof items, right below liquor and lipstick, add one more: Piñatas.
“There’s always going to be a birthday and so people will always need piñatas,” Martha Rodriguez said in Spanish.
The 56-year-old comes from a long line of piñata makers and carries on the Mexican tradition in a living room in San Antonio. On any given day, it’s not unusual to see paper-covered cars, castles and crowns leaning against a wall opposite the couch -- or, as Michael and I saw on the afternoon we visited, a wrestler resting next to a teenage pop star (need I say her name?)
Michael and I decided to stop in San Antonio not because it’s been devastated by the economic downturn, but because it hasn’t. It tops the list of recession-proof cities. (It's a reputation, we discovered, that has made the area a magnet for new residents looking to escape recession-pounded states. But that's a conversation for another day). What we took away from our visit with Martha Rodriguez was that while housing prices and job creation have all played a part in shielding San Antonio from the worst of the financial fallout, so have cultural strengths that can’t be measured. Part of the area's strength is an abiding sense of family and tradition.
Just look at the piñata business.
The breakable candy containers sell because families are still holding backyard birthday parties and barbecues in parks. Likewise, piñatas are made, at least in the Rodriguez home, because her grandchildren value a skill passed down from their great great-grandmother. Rodriguez was not the first in her family to make a piñata, and she will not be the last.

Martha Rodriguez watched her grandmother and mother make piñatas and now sees her children and grandchildren doing the same. Photo by Michael Williamson/The Washington Post
"My great-grandmother, she died making piñatas," said Rodriguez's granddaughter, Miuvsary Garza, 16. "And I’ve been doing it since I was a little girl.”
The teenager started helping when she was about 8 years old, wrapping brightly colored paper around the sticks used to whack open the piñatas and release the sweets hidden inside. She then moved up to papering easy figures like cars and can now hold her own alongside her mother, aunt and grandmother on the most complicated designs.

Angie Garza,6, and Daniella Garza, 5, break away from a TV cartoon to watch as the piñatas come together. Photo by Michael Williamson/The Washington Post
Three generations, honing their craft between other jobs and school, were working on the piñatas when Michael and I visited.
Rodriguez said the children are never forced to help, but they always want to. While we were there, her 4-year-old grandson David wandered into the room and began to cut cardboard. With each piece he cut, he pretended he had created a train, running it along the floor and saying “Choo choo.” He spends hours cutting each day and is able to do it with both hands, Rodriguez said.

David Garza, 4, is already perfecting his cardboard-cutting skills. Photo by Michael Williamson/The Washington Post
Most of the piñatas sold in Texas are from Mexico and don’t resemble the characters they are supposed to represent, Rodriguez said. But her family brainstorms on how to create 3-D structures from images they see only on TV or in photographs. When it comes to making piñatas, there are no patterns to follow, no drawings to trace.
The family once made a life-sized piñata of Selena, the late pop music star, by using a mannequin. They also made an eight-foot tall Curious George and a bride and groom for a wedding.

Martha Rodriguez holds up an unfinished piece that will be used as a head. She admits that she sometimes gets distracted by reading the newspaper she uses to cover the figures. Photo by Michael Williamson/The Washington Post
The family sells about 15 piñatas a week, with most costing between $10 and $20. They could charge more back when they had a store, but the family's shop was robbed last year and the bad guys took everything, including the highly profitable moon bounces. After that setback, the family is limited to selling through word-of-mouth, flea markets and local retail outlets.
Even so, orders have been steady. In fact, if anything has hurt business, it’s been the family's own superior craftsmanship. Some piñatas are so pretty, the child who gets it as a gift refuses to break it--and the Rodriguezes are called in to keep it in good repair.

Martha Rodriguez and her daughter Paloma Garza work on a Disney-themed princess crown. Photo by Michael Williamson/The Washington Post
"There are kids that save it for years," said Paloma Garza.
“There was a little boy,” added Rodriguez. “He had a castle and saved it for four years.”
The Disney-themed castle is one of the family's best sellers. Another is the large pink guitar with a picture of--you guessed it--teen sensation Hannah Montana (there, I said it).
As we watched, Penelope Garza built a guitar in less than 15 minutes, taping together two pieces of precisely-cut cardboard and then sealing it with a coating of homemade glue and newspaper.

The family makes glue in the kitchen. Photo by Michael Williamson/The Washington Post
She then took the guitar outside to dry. Depending on the sun, it could take less than an hour or more than a day to harden, Rodriguez.said. The business may be immune to the financial crisis, but it's still vulnerable to the weather.
“That's the only thing that could affect this business, is if it rains," Rodriguez said. "Rain is more a threat than the recession."

Paloma Garza uses the kitchen sink to cleans the glue off of her 1-year-old son Luis. Photo by Michael Williamson/The Washington Post
By
Theresa Vargas
|
July 27, 2009; 11:11 AM ET
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Posted by: mhrowell | July 27, 2009 12:39 PM | Report abuse
Pinatas? The Post needs to find better victims than pinatas.
Posted by: Jumpy66 | July 27, 2009 1:15 PM | Report abuse
Theresa and Michael: Your series is very enlightening and almost always gut wrenching. I must give you credit for having the insight and courage to cover the true impact (and faces) of our recession in this incredibly informative way.
In the evening when you return to your hotel rooms, I imagine you feel awfully thankful for what you have. I don't know if I could do it -- I would at times probably just break down and cry.
Posted by: JBGJRESQ | July 28, 2009 2:01 PM | Report abuse
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I love this series.
Christina were talking about some of your stories and began discussing how the recession has affected us...and turns out to be somewhat positive.
Money was tight before things went South, but when Christina's hours were cut back things became even more difficult. With more time on her hands, Christina began spending more time on music, (Her grandfather was a jazz musician, Linda Rondstadt was her babysitter and she has played in various L.A. bands.)
Now we have a CD out--"Lullabies & Cautionary Tales" by E. Christina Herr & Wild Frontier--that has received great reviews, and we are playing regularly in Santa Fe and Albuquerque.
This recession forced us to do what we love, create and play music. Clouds and Silver Linings...who knew?
Thanks for taking the time to read this. Look us up in Albuquerque,
Martin Rowell