Network News

X My Profile
View More Activity
About The Reliable Source  |  On Twitter: Reliable Source  |  E-mail: Amy and Roxanne  |  RSS Feeds RSS Feed

Jimi Hendrix's patchwork coat heads to the Museum of the American Indian






Janie Hendrix delivers her late brother's coat and two guitar replicas to Tim Johnson, an associate director at the National Museum of the American Indian. (Katherine Fogden/Smithsonian)

Say the name Jimi Hendrix and you think: Rock star. Woodstock. Crazy costumes. Greatest electric guitar player ever.

But his sister Janie and the National Museum of the American Indian want you to know that part of his great style came from his Native American ancestry. Now 49 and head of Jimi Hendrix's Seattle-based estate, she brought one of the musician's custom-made coats and two replica guitars to the museum Wednesday for an upcoming exhibit, "Up Where We Belong: Native Musicians in Popular Culture," which opens in July.

"Having Native American culture is really important to our family," said Janie, Jimi's little sister from his father's second marriage. She's the keeper of Jimi's flame, the one who tries preserve the history and family story behind the images.

Jimi, she told us, got his fashion sense from their paternal grandmother, who was part Cherokee, played vaudeville and had a flamboyant collection of feather hats and flashy costumes. "He loved suede, velvets and lots of color," Janie said. The full-length patchwork coat -- green, rust, blue, camel, pink and black suede with a fuchsia lining -- was one of a small number of personal items recovered by the family after his death in 1970.

"When Jimi passed away, my dad went to his New York apartment," she said. "What came back was just a sliver of what Jimi had." Friends and fans had basically stripped the apartment of Jimi's clothing and instruments: "We learned later there was just a feeding frenzy. He had over 100 guitars and only a few of them came back home. His clothes were just in a big pile and people were just taking stuff."


Hendrix, befringed, plays Woodstock, 1969. (Henry Diltz/Corbis)

Unlike so many of the "artifacts" that show up in museums, the coat deserves the attention: It's a rare, one-of-a-kind piece (obviously well-worn) from a rock icon, it's reflective of the era, and has never been displayed before.

"We've been saving this piece for some special exhibit," she said. "When this request came, it just felt natural."

By The Reliable Source  |  April 29, 2010; 1:04 AM ET
 
Save & Share:  Send E-mail   Facebook   Twitter   Digg   Yahoo Buzz   Del.icio.us   StumbleUpon   Technorati   Google Buzz   Previous: This just in: Tareq Salahi off the hook in tow-truck spat; the new Fastest Man in Congress
Next: Washington's own Super Bowl: The incredible party sprawl of the White House Correspondents' Dinner

Comments

This is one of the best stories you've ever run - and that's saying something! Thanks for all of this great information!

Posted by: lydandy | April 29, 2010 8:29 AM | Report abuse

No such thing as too much Jimi.

Posted by: keithrjackson | April 29, 2010 4:51 PM | Report abuse

still miss him...

Posted by: nfbindc | April 29, 2010 5:40 PM | Report abuse

I will like to see his coat rather that OJ Armani's

Posted by: cordobes17 | April 29, 2010 5:58 PM | Report abuse

It's too bad Jimi Hendrix's sister doesn't know her history and the fact the Hendrix's Native American relatives were Freedmen slaves owned by the Cherokee Nation of Oklahoma, today one of the wealthiest casino tribes in the U.S. In 1983, the Cherokee Nation kicked the Freedmen out of the tribe. The Cherokee Supreme Court reinstated the Freedmen, but today the Principal Chief of the Cherokee Nation, Chad Smith, has led a long and protracted battle to once again disenfranchise Jimi Hendrix's Native American relatives.

Posted by: bhjr | April 29, 2010 6:00 PM | Report abuse

The comments to this entry are closed.

 
 
RSS Feed
Subscribe to The Post

© 2010 The Washington Post Company